Captain's log #19

Impossible working yesterday. The plan stands for today.

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Captain's log #14

Yesterday I tested options for the guitar feedback; surprisingly, feeding back the guitar to itself gives an interesting effect when you move the EQ from one side to other, so I think when the moment comes I'll use that mixed with a Rakarrack setting that screeches like hell when you turn it on (I used to hate it, so yesterday when I was looking for it among the others it was like "come back... I didn't mean it...") Finishing the guitar experimentation was my baseline for the day; I also did one pass to the drum track, following this method: "I'll stop when something comes to mind". A note missing. An arrangement I could add. An existing arrangement that is too distracting. And of course the transitions (I'm very happy with them). Relistening the track later, I found many moments where, while on the spot I thought "this is embarrassing, I'm not putting enough stuff", listening later the whole flow of the song, it works ...
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Captain's log #13

Yesterday all I did was doing the rearranging of the drum structure. The song is now like a "Frankenstein" (my favorite simile this season) that has still not been stitched; on the table I have a head, followed by a neck, then a torso and the arms... Everything side by side, already in the correct place but still not a unit. I don't know where will I start today, I can do those transitions, or maybe changing the velocities; Drumgizmo with the additional human feel must be a blast... And now that I think of it, I'd rather do some experimentation with the guitar, I need a somewhat convincing guitar feedback in the box; I asked in the LinuxMusicians forum and got 2 ideas, I better try them soon so I can report the results... My hypothesis is neither of them will work but I will learn a lot in the process; no problemo, there is always sampling, or building upon that trick I used in "Zombie barf"... To be honest, yesterday I was this close to not doi...
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Captain's log #30

Prep work for the vocal tracks. Last summer I instituted a concept called "lightning mode", which seems to stick. It is simply setting the software so that the singer (me but with a different hat) can get to the session, to be recording voice, in as few clicks as possible. That way you take the software factor and its horrible stops out of the equation. After that is set, I also have a list for the hardware setup, and everything is orchestrated so that I can go in and out as quickly as possible (here I have to explain that I don't have a recording space of my own where I could leave my stuff in a stable manner...) Preparing this lightning mode has taken more than I expected because it has forced me to advance in the computer configuration, something that I've been procrastinating as much as possible, giving preference to creating stuff and also to this nasty stuff I've recently had with the guitar tone. Funny how you find this same dichotom...
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