Musician Diaries

(This time I'm going to pass on music related world news. All I want to say is: some world we're living in. And fuck those guys.) As I get to know my process better, the latest epiphany I've had is that, with my current workflow and equipment, it pays off to split the "rehearsal" concept into at least two different kinds: 1) Rehearsal for arrangements: once reached the demo stage (which I described in an earlier post, "demo" defined as song-can-be-heard-from-beginning-to-end), in this rehearsal I play each of the instruments time after time figuring out ways to flesh out things, adding variations, inviting serendipity to add findings... 2) Rehearsal for recording: once the arrangements have been fully decided, this rehearsal is about building the muscle memory necessary so that you can record the part in the least numbers of takes possible (because I hate editing; in an ideal world no creative person should be punished with this task) This

I never was a big fan, but I respected Chris Cornell and I feel shocked by the news and compelled to say a few words in the light of this tragedy. The circumstances surrounding this cannot be sadder: a musician in his 50s-killing himself no matter how you put it-with some dark medication stuff involved-when nothing seemed to show problems and there was even a new album from his seminal band in the wings. Another factor that adds to the shock for me is that I always considered Cornell one of those members of the rock community who "played it safe", in a Foo Fighters kind of way. And this is not said as a criticism, I think the forest needs all kinds of birds and trees, and it's a good thing for the whole if there are a few bands out there that go mainstream and fill stadiums and are listened to and considered acceptable by the "stiffer ones". Different human views create different kinds of music and flavors, and to me both the stances "hey peopl

A key factor of Lean is that it places a big importance on handouts. (Or: if calling "Lean" to this way of doing things inspired by Ono & Co is pretentious, let's call it "systemic thinking", instead - Seeing everything there is to do like a process, a box or tube where you put something in at one extreme and get something out at the other.) Only as long as each process is well defined you can be sure what the "out-put" will be, and therefore what "in" is the next process going to receive. This principle works exactly the same way when you're working in a factory, with the guy putting rubber frames on the car window that you just fixed with screws, and when you're just working with yourself, receiving a drum track you just recorded, on top of which you're going to add a bass track; if such drum track is handed to you under a certain fixed, predefined parameters, if you know what to expect beforehand, it