Land of Plenty Get link Facebook X Pinterest Email Other Apps December 18, 2016 An "androginous" Leonard Cohen cover, as I did both the male and female voices -- I wonder what would Leo think about that :p. As i was looking for the guitar tablature, I stumbled upon a couple of other people's covers of the song that helped me choose the arrangements. For example, at first I was going for a simple strumming (rang-a-ranga-rang-a-ranga-rang...), but then I found this cover by a lady where she used arpegios instead, which is a great way to underline the bass riff that is the foundation of the song. I also disagreed with a couple of her choices: for example, the singing style she chose was soul-like, and she had a great voice, with technique and feeling, but this song to me has a confessional tone, like something you wishper to someone in a private conversation (a vibe common perhaps to the whole "Ten New Songs"), and that's the feeling I went for in my voice. Also, she reinterpreted the chords from the bridge ("For the innermost decissions..."). I like that cadence a lot and to me was essential to stick to it. All of this, of course, is not to say that her version was "wrong" and mine was "right". I just find interesting that, even when you cover other people's stuff, your style and formation come through in your choices, in what you keep and what you take out of the picture. I love the fact that the arpegio arrangement makes the song something that could have been in one of the first Cohen's records... Regarding my flow: there might seem that there is a certain unevenness, as I launched a sonic product only yesterday. "One sonic product a week" is a minimum rate I established for myself, and I "saved the week" by launching yesterday's "quickie". Besides those quick impromptus, there are these other songs that take longer and ship when they are ripe enough. My future plans include removing more and more quickies and adding more and more proper songs in the mix, but let's get to February first. My premise also spoke of "one proper song from here to February". This one does not count as it is a cover; I was rather thinking in "one original song, properly produced at my current quality standards". The production here is limited to solve a couple of quick problems (low pass filter to remove sibilance in voice, compression to smoothen two upsetting volume peaks, and a bit of reverb glue). I'm more focused here in getting in the habit of releasing stuff, and the pure pleasure of being a musician, letting out my human emotions getting out of the way as much as possible. Get link Facebook X Pinterest Email Other Apps
Captain's log #13 October 04, 2017 Yesterday all I did was doing the rearranging of the drum structure. The song is now like a "Frankenstein" (my favorite simile this season) that has still not been stitched; on the table I have a head, followed by a neck, then a torso and the arms... Everything side by side, already in the correct place but still not a unit. I don't know where will I start today, I can do those transitions, or maybe changing the velocities; Drumgizmo with the additional human feel must be a blast... And now that I think of it, I'd rather do some experimentation with the guitar, I need a somewhat convincing guitar feedback in the box; I asked in the LinuxMusicians forum and got 2 ideas, I better try them soon so I can report the results... My hypothesis is neither of them will work but I will learn a lot in the process; no problemo, there is always sampling, or building upon that trick I used in "Zombie barf"... To be honest, yesterday I was this close to not doi... Read more
Captain's log #14 October 05, 2017 Yesterday I tested options for the guitar feedback; surprisingly, feeding back the guitar to itself gives an interesting effect when you move the EQ from one side to other, so I think when the moment comes I'll use that mixed with a Rakarrack setting that screeches like hell when you turn it on (I used to hate it, so yesterday when I was looking for it among the others it was like "come back... I didn't mean it...") Finishing the guitar experimentation was my baseline for the day; I also did one pass to the drum track, following this method: "I'll stop when something comes to mind". A note missing. An arrangement I could add. An existing arrangement that is too distracting. And of course the transitions (I'm very happy with them). Relistening the track later, I found many moments where, while on the spot I thought "this is embarrassing, I'm not putting enough stuff", listening later the whole flow of the song, it works ... Read more
Iumring tq gqngiusiqns August 21, 2016 Jeffrey Liker warns that the creation of a checklist or procedure is an opportunity as good as any to make one of our brain's favorite mistakes: jumping to conclusions. I've found that to be one of my great mistakes in my previous approach to structuring my production (strongly connected to other of my top ten weaknesses: trying to standardize too soon, before running through enough iterations just letting the process reveal itself). In a previous post I discussed how simply making conscious that all our processes have an input and an output, and making both explicit, brings in itself a great deal of clarification to any outcome we want to produce. I still believe that; I also said I would discuss what was within that "sandwich" in another occasion. My mistake was related to the way those tiny input-output boxes interact with each other. My unquestioned assumption was that I had to standardize the procedural language within them too. It just seeme... Read more